The Industrial Revolutions in Europe II, Volume 5 - Industrial Revolutions

Jacket Description/Back: Modern European economic history is marked by an endeavor to transcend the traditional national case study approach, to use comparisons and to deploy economic theory in order to draw the manifold and diverse experiences of the regions, countries and multicultural empires of Europe onto a unified frame of reference. These two volumes exemplify this modern approach. This Volume 5, of the eleven part set entitled" Industrial Revolutions" contains thirteen papers, with an introduction, which adopt and apply a conceptual and explicitly comparative approach to European economic history as a whole. Volume 5 includes sixteen national case studies, again organized around or set within the context of theoretical principles and ideas derived largely from macroeconomic theory, social accounting, productivity measurement and regional analysis. Table of Contents: VOLUME 5. . General editor's introduction: R. A. Church and E. A. Wrigley. Introduction: P. K. O'Brien. 1. Foreign Trade and the Industrialization of the European periphery in the nineteenth century: I. T. Berend and G. Ranki. 2. Banking in the early stages of industrialization: conclusion: R. Cameron. 3. Pattersn of Development in nineteenth century Europe: N. F. R. Crafts. 4. Wars, blockades and economic change in Europe, 1792-1815: F. Crouzet. 5. Economic backwardness in historical perspective: A. Gerchenkron. 6. Commercial expansion and the industrial revolution: C. P. Kinidleberger. 7. Proto-industrialization: theory and reality. General Report: F. Mendals. 8. An economic theory of the growth of the western world: D. C. North and R. P. Thomas. 9. Transport and economic development in Europe, 1789-1914: P. K. O'Brien. 10. The pre-history of the nienteenth century: W. N. Parker. 11. Industrialization and the European economy: S. Pollard. 12. The take-off into self-sustained growth: W. W. Rostow. 13. Urban growth and agricultural change: England and the continent in the early modern period: E. A. Wrigley. Acknowledgements.

Contributor Bio:  O'Brien Writing romance novels has got to be the way to make a living in the world. What other career allows you to send the kids off to school, walk the dog, and vanish into the most fascinating of historical times and places, with the most glorious of men, to escape danger and find everlasting love for the rest of the dayLike most writers, I knew early on that I wanted to be a writer. Well, almost. Actually, writing was the third choice on my short list of career possibilities, right after Fairy Princess and Prima Ballerina. The first two didn't work out. So after college I moved to New York, where I worked for "Seventeen Magazine." Not only had I never really been to New York before, but I believe I was the only editorial assistant in the magazine industry who still wore knee socks. Soon I was promoted to Editor of the "Letters to the Editor" department. Yes, there really IS an editor for the letters to the editor column. But it allowed me to write articles, answer the personal problems of teens (boys and zits were the big topics of concern), and rummage through the back files of the magazine. I found Sylvia Plath's original carbon of a short story she submitted while still in high school. There were articles on up-and-coming talents with names like Judy Holiday, Marlon Brando and Elvis. And very occasionally I was employed as a last-minute makeover subject. That was me looking miserable after getting the "Brideshead Revisited" bob. Then I lucked into a fabulous job - as a jacket copy writer at a publishing house called Pocket Books. There I first read Jude Deveraux, Judith McNaught and Julie Garwood in manuscript form, and from those I would compose the blurbs for the book covers. It was heaven. I would read straight through my lunch hour, thus accounting for the chicken salad and iced tea on the returned manuscripts. But as much as I loved reading those marvelous stories, what I really wanted to do was to write one. Just one. Just to see what would happen. Life interfered. I went back into magazines, this time at "Self" as an editor and writer. I got married, then had my son. I was still on maternity leave, writing general health articles while bouncing a newborn on my knee, that I began to dream once again of writing a romance novel. So that is exactly what I did. And I modestly claim to have written the most horrendous first three chapters of ANY book, in ANY genre, at ANY time in history. Unfortunately, still addled by the turmoil of being a new mom (hey, it's an excuse), I actually sent the wretched chapters to agents and publishers. The rejections were polite form letters. Dozens of them. I shoved them into a bottom drawer and stuck to articles, becoming a free-lance writer and full-time mom. A few years later I gave romance writing another try. This time I sent it to only one person, Linda Marrow, with whom I had worked at Pocket Books years earlier. I certainly did not expect her to accept the manuscript. But I did hope she would let me know which editor at whatever house just might be interested in my time-travel romance. Instead, I received a call from Linda three days later, offering me a two book contract. Now I am a single mom. My son is twelve. I live in Brooklyn. And I'm lucky enough to write romance novels for a living. So please excuse me while I slip into something more comfortable. Such as Civil War Atlanta, or Tudor England, or Georgian Ireland, or.... Did I mention how much I love this job?Contributor Bio:  O'Brien, Patrick PATRICK O'BRIEN is Centennial Professor of Economic History at the London School of Economics and Political Science, and Convenor of the Programme in Global History at the Institute of Historical Research, University of London.